Katherine Hayles' Writing Machines is a major addition to the scholarship on hypertext and, in general, on the relation of technology to literature. As this volume so clearly demonstrates, Hayles is a subtle reader of texts, a knowledgeable critic of new technology, and a fine theorist of culture. In Writing Machines (), Katherine Hayles argues for understanding materiality as a way to discuss representation and simulation and to explore what texts enable and constrain (6). Hayles argues that materiality can no longer be a subset of literary studies and needs to be central (19), for to change the material aspects of a text is to change how it is read (23)/5. Writing Machines. A pseudo-autobiographical exploration of the artistic and cultural impact of the transformation of the print book to its electronic incarnations. Tracing a journey from the s Authors: N. Katherine Hayles, N. Katherine ;Bur Hayles.
KATHERINE HAYLES WRITING MACHINES PDF. Tracing a journey from the s through the s, N. Katherine Hayles uses three writing machines in depth: Talan Memmott's groundbreaking electronic. Writing Machines has ratings and 8 reviews. Eric said: Hayles frames Writing Machines as "an experiment in forging a vocabulary and set of critical p. Tracing a journey from the s through the s, N. Katherine Hayles uses the autobiographical persona of Kaye to explore how literature has transformed itself from inscriptions rendered as the flat durable marks of print to the dynamic images of CRT screens, from verbal texts to the diverse sensory modalities of multimedia works, from books to technotexts. N. Katherine Hayles' humanist inquiry centers on the relations of literature, science and technology in the 20th and 21st centuries and digitally mediated cultural contexts of the www.doorway.ru a background as a scientist, having trained in chemistry in the s before retraining in English literature in the s, Hayles' interdisciplinary thinking produced the career-defining concept of the.
1 Writing Machines N. Katherine Hayles DESIGNER Anne Burdick EDITORIAL DIRECTOR Peter Lunenfeld MEDIAWORK The MIT Press Cambridge and London www.doorway.ru 2. Hayles explores works that focus on the very inscription technologies that produce them, examining three writing machines in depth: Talan Memmott's groundbreaking electronic work Lexia to Perplexia, Mark Z. Danielewski's cult postprint novel House of Leaves, and Tom Phillips's artist's book A Humument. Hayles concludes by speculating on how technotexts affect the development of contemporary subjectivity. Katherine Hayles' Writing Machines is a major addition to the scholarship on hypertext and, in general, on the relation of technology to literature. As this volume so clearly demonstrates, Hayles is a subtle reader of texts, a knowledgeable critic of new technology, and a fine theorist of culture.
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